Chartography - Heaven 17

Having featured The Human League, it's only natural to represent the successes of their friends/rivals Heaven 17. Those are nowhere near the peaks of The League, of course, but the trio managed to reach a respectable level of chart recognition around the world. Given their long-time aversion for touring it's a small miracle they did, but wonders of the new technology (primarily video) aided them quite a bit. But perhaps more important is the fact that they managed to create an album that has as much of a "classic" status as that of The League, and that ensures their place in the history of pop music. To me they are all about the first two albums, after which something went wrong and there's little of interest on later offerings, sadly. The general public seems to agree, judging by the charts, but they still had enough ammunition to go on for quite a while, and since they started touring in the late 1990s they never had trouble attracting audiences. Today they are respected elders in the field of electronic music and hopefully new "stuff" is in the pipeline.

Heaven 17

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Chartography - Thomas Dolby

Thomas Dolby is another curious success story of the early 1980s. Initially a session player, he quickly established himself as a songwriter of note and even managed to get a bit of commercial attention in UK. But it was the US and MTV that catapulted him to his breakthrough and created an audience for him across the ocean that he never could reach in his homeland. Unlike most UK performers that had their greatest success in the US, he managed to break the home market too - not as spectacularly but enough to have chart entries well into the 1990s. Of course hits dried up but he stiff retains his cult popularity and a level of respect and attention. He also worked with other artists (with varying degrees of success) and had an outstanding carrier in hi-tech.

His autobiography "The speed of sound" is well worth a read, not least because of his various run-ins with chart compilers in various countries over the years, so the mechanics of the music industry are covered in nice detail. And what a fascinating life he had!

Thomas Dolby

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Chartography - Wang Chung

There's not much to say about Wang Chung, really. A minor band in the grand scheme of things with only a couple of outstanding (at least commercially) songs to their name. What, perhaps, distinguishes them the most is the fact that, while originating in Britain, they found their biggest and most enduring success across the ocean, in the USA. For some reason their ideas were better appreciated there (as was the case with quite a few bands over the decades), which of course was ultimately for the better - both financially and as regards longevity in the collective memory of the masses: the US success is, for better or worse, the ultimate in showbiz and you seem to only need one fair-sezed hit to be fondly remembered by many and referenced regularly. Wang Chung had a string of successes (even the often UK-centric Canada appreciated them quite a bit), which enabled them to go strong for years of inactivity (through soundtracks, commercials, video broadcasts etc) and even to reform, make new music and tour on a regular basis, with much love being thrown their way every time. Little in a way of chart showing recently, but why bother when your place in history is secure?

Let's have a look at their achievements:

Wang Chung

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Chartography - Men at Work

Here's the list of successes from, probably, the biggest commercial sensation of the early 1980s - Australian band Men at Work. Their rise was nothing short of meteoric and knew no bounds, reaching all parts of the globe. For a couple of years they were the trusty hitmakers on a worldwide scale, but after a well-deserved break from late 1983 to early 1985 things were never the same again. In fact their comeback went nearly unnoticed and they couldn't deal with it, breaking up soon afterwards, with various band members attempting solo carriers to little returns. Such is a price of a total early success, it seems. Still the Men are fondly remembered and their grandes exitos are an indelible part of mass culture. That's some achievement and should not be taken lightly.

Men at Work

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Chartography - Howard Jones

Here's a peculiar case of a performer who at the top of his game seemingly appealed only to English-speaking market. Howard Jones, one man band of a synth variety, hit big immediately in the fall of 1983, taking by storm first his home country then the USA. His ascendancy was somethin to behold, and yet, the mainland Europe barely took notice, for some reason. Still he could safely ignore that, having secured the most lucrative market in the world. His fall, unfortunately, was equally as fast, he was no longer a going concern in the UK by the end of 1986 already, while in the US he continued to score hits up until (and including) 1992. During the 1990s, conversely, it was Europe that provided him with any kind of commercial acceptance, which only goes to show that mass attention moves in mysterious ways. Nowadays he's an esteemed senior gentleman of (synth)pop, still filling arenas, releasing albums and even having chart entries here and there, while his "one of a kind" legacy is proven and universally recognized. Let's see how he went about chart-wise.

Howard Jones

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Nb. Discography

Chartography - Berlin

With the recent mammoth success of a sequel to "Top gun" it's interesting to take a look at the band that became almost inseparable from the original movie. One of the most successful US purveyors of synthpop, they had a long and illustrious carrier, releasing the best-selling EP in the US music history, working with Giorgio Moroder on several occasions (including releasing his song "Take my breath away" that went on to score heavily chart-wise all around the world), disbanding and reforming on several occasions, reuniting the "golden era" line-up (to very mixed results), establishing the brand as a touring force, creating songs that turned out to be enduring cult and mainstream successes etc. Judging by the charts they are close to "one hit wonder" status, with that song trumping everything else, but locally they were going strong for several years, not only in their homeland but in other markets too. Overall an interesting, if not wholly original band, and their story deserves attention - its twists and turns are truly remarkable.

Berlin

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Chartography - The Thompson Twins

Sadly the blog goes stale more often than not which is a shame as I have quite a lot of stuff to share. If I only had as much time and will... Well, let's try to change the situation. Here's a new chartography - for The Thompson Twins. This interesting bunch started off as underground noisemakers but within a couple of years proceeded to reinvent themselves, both in numbers and image, to become one of the brightest "New Pop" stars of their era. They impacted North America especially and managed to have bona fide hits there right into the late 1980s, while their success in other regions had waned already. It's there where TT's main man Tom Bailey still headlines the stadium-sized shows and he even managed to resurrect his recording carrier in the process, releasing his first solo album in 2018. The band occupies a curious position in the history of the 1980s pop music, being among performers who milked the opportunities presented by MTV to the fullest and yet not being much talked about from the creative angle. Yet their place is firmly established and from the chart file, I think, you can see why.

The Thompson Twins

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Nb. Discography

Chartography - Ultravox/Midge Ure/Visage/John Foxx

In the newest UK official album Top 100 there's a new entry at #48 - a deluxe reissue of the LP "Rage in Eden" by Ultravox. Midweek chart showed an even better result - #16! I'm sure we all agree that's more than respectable for the album that only recently celebrated its 41th anniversary. That also gives me a chance to present the chart collection of my favourite musicians. Ultravox are perhaps the most underrated band of their era, constantly trashed or overlooked by the press and "tastemakers" and yet they are among the very influential, perhaps the most influential of the bunch, be it music, cover design, videos etc, creating templates, setting the bars and so on. It's really quite hard to overstate their importance to the music of the last 50 years or so.

And they even managed to become pretty successful commercially almost all around the world. Their main undoing was not being able to conquer the all-important US market - much lesser bands are much better known and celebrated for having a string, or even one or two hits there. Still, their legend lives on and resonates with generations of listeners - first the 2020 reissue of "Vienna" entered the UK Top 50, now "Rage in Eden", their most artistic and experimental album. That's quite a feat.

I also included in this file chart information about the satellite acts. First for their frontmen, John Foxx and Midge Ure. The former himself created at least one highly influential album ("Metamatic"), which is now rightly praised as a milestone in the development of electronic music, while the latter had an illustrious carrier that yielded him several international hits and a growing respect with both colleagues and the public. Also, there's an info on Visage, an act of, if not equal, then clear and distinct importance and influence itself, despite sharing members with Ultravox. Of course here is the case of one huge hit trumping everything else, but their first two albums are widely held in high regard and their reissues still meet with waves of appreciation. Even their reappearance in early 2010s as a touring and recording act drew attention and received quite a bit of praise.

All in all, a very creative bunch of guys that did more than their fair share to change the music as we knew it, for better and for worse, but undoubtedly with all the best intentions in the world! Let's see how they fared in their day and beyond.

Ultravox & Co.

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Nb. Discographies: Ultravox, Midge Ure, Visage, John Foxx

Chartography - Vangelis

Sad news of Vangelis's passing. One of the most esteemed and long-standing figures of electronic music, creator of some of its best pieces, with carrier spanning close to six decades, at several points he had tremendous commercial success in every part of the world. To honour his memory I'd like to offer an overview of his (sometimes quite stunning) chart action.

Vangelis

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Chartography - Tears for Fears

Tears for Fears have reunited and released their new album "The Tipping Point" recently. Now there's a success story that in theory was highly unlikely, if not impossible - two aloof young lads singing mightily depressing songs about childhood traumas, neuroses, death. And yet millions of records sold all over the world, triumph in the, possibly, hardest market in the world to break - the USA, legendary status and numberless tributes. There must be a lesson or moral here, but let's not go there now. Instead let's have a look at their chart victories and marvel at the sight of them:

Tears for Fears

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Nb. Discography