Here's a peculiar case of a performer who at the top of his game seemingly appealed only to English-speaking market. Howard Jones, one man band of a synth variety, hit big immediately in the fall of 1983, taking by storm first his home country then the USA. His ascendancy was somethin to behold, and yet, the mainland Europe barely took notice, for some reason. Still he could safely ignore that, having secured the most lucrative market in the world. His fall, unfortunately, was equally as fast, he was no longer a going concern in the UK by the end of 1986 already, while in the US he continued to score hits up until (and including) 1992. During the 1990s, conversely, it was Europe that provided him with any kind of commercial acceptance, which only goes to show that mass attention moves in mysterious ways. Nowadays he's an esteemed senior gentleman of (synth)pop, still filling arenas, releasing albums and even having chart entries here and there, while his "one of a kind" legacy is proven and universally recognized. Let's see how he went about chart-wise.
(Download and open in Microsoft Word for the bestest viewing experience😊)
Nb. Discography
No comments:
Post a Comment